This entertaining story carries on where the other books left off. It is mostly his account of his experiences in the RAF during WWII. Many things that happen to him during basic training and learning to be a pilot remind him of his experiences as a county vet, so we get a double set of memories.
Each chapter tells a bit of his experience during training and a look back at some memorable animal or character, all entertaining. If you liked Herriot’s other books, this will appeal to you as well.
I like Amanda Quick a lot, mostly for her independent, strong heroines, but this book just didn’t do it for me. I found her heroine, with her attitude toward the hero silly, and the hero, with his background of piracy combined with a penchant for writing romance novels, unbelievable. The whole book was forgettable.
The plot involved finding a book the heroine believed to be lost turning up again. She and the hero are on a quest to find it. In the search, they fall in love, learn each other’s secrets, and get married.
A light read, for a summer day, but Quick has written better.
This was a well-written thoughtful story of a young girl fleeing violence. Terrified for her life, she manages to reach the only people she knows in Great Britain. Accidentally released from a detainment center, she becomes part of the family, which includes a very annoying child. I could do without the plot moppet. YMMV.
Her insights and opinions of life in Great Britain form the most enjoyable aspect of the book. The author has chosen an ambiguous ending, which seems fitting for someone who doesn’t fit in where she came from nor where she is. A good book club choice, I think.
Joseph Michael Reynolds
Unlike the movie and TV versions, true police work is deadly dull. It’s hours and hours of piecing together leads and bits of evidence. The case of Aileen Wuornos was no different. Also unlike master criminals in TV and movies, Wuornos was stupid. She scattered evidence her and there and confessed on tape. The interest is in what made her do the murders and what was she really like. Unfortunately, the answers to both those questions are banal. She murdered for money and she was dull beyond belief.
It’s best not to drill too deeply into the personality of this serial killer. Deep down she is profoundly shallow.
Simon has to grow up quickly when his friend and mentor is killed in an eventing accident. As he struggles to cope with his feelings for his friend, he also struggles with some health issues and personal challenges. This third (and I hope not final) book takes us even deeper into the mind of a top-notch rider. Pagones has hit her stride with this account of a less than likable character. I suppose no one reaches the top of a competitive world by being a nice guy, and yet I find myself rooting for Simon. He needs a good horse and a good man to make his life complete.
This Beauty and the Beast romance features Harriet, a 25-year-old unmarried woman who is more interested in her prehistoric bones than in husband hunting. She believes her bones are safe in a secret cave, until they are threatened by a gang of thieves who use the cave as a hiding place to stash their loot. Afraid of being found out, Harriet enlists the aid of Gideon, the Beast of Blackthorne Hall, a man with scars both on his face and in his soul.
This delightful read is pure Amanda Quick, with memorable characters and believable plot twists and turns. Pure delight.
Song of Songs is the source for the title. “Stay me with flagons, comfort me with apples: for I am sick of love.” This sequel to Tender at the Bone takes up where the book stops and describes Reichl gradual rise from writer for a small publication to Gourmet magazine. Along the way, she has lovers, discards one husband to take another, has and loses a beloved child. Told with honesty and interspersed with recipes, it is almost impossible to put down.
This a complex work by a talented writer. The surface story, a lesbian marriage between artist Annie Oh and her agent Viveca, wealthy and sophisticated, is the first layer of the book. By the time it is over, we have learned Annie’s secrets, as well as those of her husband, psychologist Orion Oh, their three children, the twins Andrew and Ariane, and the youngest Marissa.
Intricate as a weaving, the story comes alive, layer by layer, until the bare threads that make up each life are laid open for us. The many secrets the characters keep from one another eventually come to the surface, slowly and inevitably revealed.
This is a wonderful book.
Character-driven novels are my catnip, and this is perfect. Dolores Price makes her way through molestation as a child, college as a 257-pound freshman, marriage to a handsome narcissistic man willing to sponge off her, to finally find herself by the end of the book.
Wally Lamb gets women and is wonderfully apt at portraying them on the page. Dolores is unforgettable.
This is a weird double-minded look at classical music and the people who make it. Tindal stops in the middle of her own story to write boring accounts of the economics of maintaining a symphony orchestra or opera, and the drain it puts on a city. When the funds were flowing from the National Endowment for the Arts, operas and music organizations acted as if the money would last forever. Then when the funds dry up, the musicians suffer.
If you can tolerate this double vision, the book is interesting and entertaining. Graduating from a college that teaches her to play the oboe and little else, Blair heads for New York to embark on a career as a professional musician. Unfortunately for her, the reality of getting gigs and making enough money to live on, give her a jaundiced view of the life.
Finally she abandons her career, and takes a scholarship at Stanford to switch to journalism. I’d like to know more about how she landed that scholarship and began a new career. To read her book, you’re asked to believe that the tooth fairy just dropped it into her lap.